The Jakarta Post
Monday, April 23, 2012
Chaos and abuses at the Denpasar-based Indonesian Arts Institute?
Jusuf Wanandi, Jakarta
The Bali Revival Committee, organized by a group of Balinese art and
culture lovers in Jakarta has held many lectures and exhibitions of
paintings, masks and wayang puppets in Jakarta and Bali since the two
Bali bombings to help Bali’s economy, which is dependent on tourists,
to recover.
The Balinese people and especially the artists suffered. Now that Bali
is flourishing again, we of the Bali Revival Committee think that we
have to maintain our support to make Bali a tourist destination that
is enriched by its arts and culture.
That is why we are very disturbed by the three recent articles
published in The Jakarta Post Bali editions of March 20, 21 and 26 on
several bad developments at the Denpasar-based Indonesian Arts
Institute (ISI), which began in November 2010, due to the abusive
management under the leadership of its rector, I Wayan Rai, who was
allegedly supported by some high-ranking individuals in the Education
and Culture Ministry in Jakarta.
Herewith I summarize some of the salient points from the three articles:
Some of the victims are I Made Arnawa, a well-known music director,
Prof. I Wayan Dibia, Prof. I Nyoman Sedana, I Wayan Karja (a
well-known painter, and a former dean of ISI’s Fine Arts Department).
Also, there are at least 10 lecturers who had been granted
scholarships by overseas universities but who could not pursue their
studies because Rai refused to give them permits.
The reasons for denying the permits were incorrect, but there was no
recourse to protest or to overrule the decisions based on
contradicting facts submitted to the rector.
Initially, the ISI’s senate of professors selected the popular I
Nyoman Catra as the new rector. Rai, with the help of senior ranking
ministry officials, annulled the results of the election and organized
a new election. Rai also threw several professors out of the senate
and filled the vacant seats with his supporters that ensured his
smooth reelection as rector.
Faculty members and the majority of students rejected Rai’s victory
and organized rallies that lasted for months and triggered a court
drama, in which two of Rai’s aides were found guilty of
misappropriating funds.
Three senior professors were grilled by the ministry over their
opposition toward Rai. The prolonged conflict waged by I Wayan Rai
against several senior professors and students made the once
prestigious school lose its stature in the eyes of the island’s
public, among the intelligentsia and, now, even at the national level.
Internationally, questions are being raised, because good lecturers
chose to leave the institution. One of them is the well-known
Professor I Made Bandem, the best, if not one of the best of the few
ethnomusicologists with extensive knowledge and research on Indonesian
traditional music.
He is one of the founding fathers of the ISI and once served as its
rector. Known as one of the most influential cultural thinkers in
contemporary Bali, Bandem wrote seminal books, such as Kaja and Kelod,
Balinese Dance in Transition, Prakempa and the Ensiklopedi Tari Bali.
He was one of the art curators and choreographers of a Balinese
spectacular wedding festival performed at the Kennedy Center,
Washington, DC in the mid 1980s.
Many arts institutions and universities abroad were puzzled why the
ISI easily allowed Bandem to retire in 2011 after Rai accused him of
siding with his opponents. In fact, he was Rai’s teacher in
traditional music and promoted Rai in achieving his current stature.
While on the surface everything looked normal, this silent conflict
really disturbed academic activities.
It also showed Rai’s disrespect of seniors, his shortsightedness over
critical human resources and, above all, his urge to play dirty
politics, especially in using the Education and Culture Ministry in
Jakarta to win the rectorship against the wishes of the most senior
professors and students.
Needless to say, the Bali Bangkit Committee was upset because of the
set-back this conflict had caused to the human resources development
of Balinese art and its potential.
We would like to appeal to the Education and Culture Ministry to look
into this problem seriously and come up with a just solution. The
much-respected NGO Bali Corruption Watch (BCW) will keep pursuing the
corruption case against the ISI where the rector can still be
implicated.
Two of his aides, I Nyoman Sutedja and I Nyoman Sanggra were tried,
convicted and sentenced in August 2010 to four and three-and-a-half
years’ imprisonment, respectively. Rai’s case had earlier been closed
a few months after he was named a suspect by the local prosecutor’s
office, which was not acceptable to civil society.
Without an honorable rector and his staff, the ISI will be damaged and
the future of Balinese artists’ education and training will be
affected, too. And that will be a big loss to Bali, which the Bali
Bangkit Committee will not condone.
The writer is vice chair of the Board of Trustees, CSIS Foundation,
Jakarta and chairman of the Bali Bangkit Committee.
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